We Sing With Bobby McFerrin And I Tell YouMonday 8th of August 2011 08:31:34 PM
Working at night, from 22 to 06, all nocturnal activity I is usually impossible.
By chance got a month ago and peak a video of it in my profile on facebook. Jumped a friend discussing the unexpected: "Comes to the Argentina, you're going?". I not aware. The next day I went and talked to the Chief of staff to ask for the day and pay a guy to cover me that day, and so, just there to have the possibility of going to see it. Already added you this he demanded a significant expense, but I didn't and in fact, if I didn't the day me ill or missing, because I didn't miss this.
I went and got plataea gold. It wasn't the most expensive, but it was what they could afford.
On August 4, 2011 worked 5 early in the morning and afternoon to compensate for the fact that I was early the previous day.
He was expected overnight, none of this mattered.
I traveled two hours and I arrived on time, 21: 20, 10 minutes then he should start. I thought it was late.
Many people in the Estadio monumental de Victoria best arrived very late, even after the 21: 40.
In the scene had only a Chair and a bottle of water.
It started almost at 22: 50. He sang a capella, two songs. Despite the fact that I've heard it before, no longer surprising accuracy, detail, the domain of the microphone, but what is really surprising is the silence, the communion with the public and that feeling of peace and as the theme to theme feel that a person can comfort the soul. A feeling that beyond my bias as a listener, I is not common.
In the third issue he made to the public participant. This did more than give a crescendo to the fullness of his presentation. As public I felt participant than listener when this happened.
There were some issues where he added a minimum delay to his voice, allowing a subtle harmony with this. Although it was not much noticed, the end result was very well perceived.
He later requested that go up to the stage people who dance tango or jazz.
They got five people. Everyone danced very well. I particularly enjoyed as they danced two girls and the first chabón that rose. The last slim danced was very fun, very nerve. But it spent well, as well as all that they saw him dance.
Then some items he took another microphone and walked off the stage. She began to sing with the audience, one by one, improvising with whom it nears, giving you the microphone batch who approached. Not even a second I hesitated and I left my seat. Arriving in the middle of the aisle one of the boys of the Gran Rex not missed me. Said me no is that thing that can not and that the Government of the city blablabla. I indigné a lot. I returned to my seat and I felt very bad. Sad.
He also played with the Chango Spasiuk, it was very good. They played a chamamé.
Already sobre end requested 16 singers there felt that it was my last chance to sing with him and I went running almost to the stage. When I arrived and we were as 40 people at the foot of the stage. We grouped by voices (if they see the video I am the first which passes in front of him on the right side to the left, black jacket). We sing. The joy of the participants was overwhelming, as I believe that everyone fulfilled a dream. Then when we finished we went to hug them for everyone (we were like 50). One to one, we embraced, and then each returned to his seat.
He sang some songs. An encore. And then he returned for a second time and asked questions. They asked him "how people live in your world?" to which he replied with a laugh, they asked him if he started singing for parents to what imitating a lyrical singer said then that does not. And when asked to comment on the current music said that in general has a very negative opinion on certain music, he explained that for him the music has a very important power and that it should be used to convey something positive.
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